Five years on from their rebranding work for the channel, Rudd Studio updates the Channel 4 splintering logo in a series of new on-air graphics packages...
Keeping the famous logo centre stage – the original multi-barred "4" was the creation of Martin Lambie-Nairn in 1982 – Rudd Studio has created a series of new animations of the graphic, with this new work attempting a more "oblique" and "cubist" feel, they say.
Croxton Design was commissioned to design business cards for A Hundred Monkeys, a naming and branding firm based in Mill Valley, California. The cards were letterpressed, die cut, perforated and crash numbered.”
Vinyl is Not Dead! -I don't think I would remember buying my first mp3 with the same affection.
Here at Why Productions we pay homage to the dying breed of Vinyl DJs with our limited edition tickets. These little credit card sized tickets will fit in your wallet or purse all safe and ready for the next Durty Disco on the 25th. This is surely not one to miss.
A bold re-brand for one of the UK's leading retail POS producers.
Pushing the 'S' in screenprinting, we developed this simple brand device. It allowed us to enhance key words, create messages relevant to the target audience and comment on the media in use - such as Sealed for packaging tape.
This created an instantly recognisable, fun and ownable graphic device. A range of production techniques available from the company were showcased on a selection of materials and substrates.
nice to see the S cut from the letterhead (though i wonder how well that stands up in use), and the CD rom case is great, as the CD itself fills the bold S cut from the slip.
We’re working on a series of paintings that strip famous logos back to their basic graphic forms. Creating pieces that we think are artworks in their own right. Recognise any?
from the consult - Upbeat branding for written communications firm.
Recently our long-time copywriting collaborators Bang Your Own Drum asked The Consult to develop their new brand look and feel. Our thinking centred on referencing the name and hinting to their services – we achieved this with a drumstick pencil and drum skin business cards giving Bang Your Own Drum an identity that's easily heard.
When famed NYC restaurateur and Food Network star Geoffrey Zakarian wanted to launch a new dining establishment in Midtown Manhattan, he turned to Love and War to develop the brand – including the overall concept, visual identity, website, promotions, and a range of in-restaurant materials from menus to tableware.
Working closely with Geoffrey, Denihan Hospitality, and the Rockwell Group, Love and War created "The National” – an all-occasion “grand café” inspired by London cafés and French bistros, but with a unique, New York City twist.
Awards: 2011 James Beard Foundation Awards: "Outstanding Restaurant Graphics" 2011 Art Directors Club Awards: "Silver Cube for Brand Campaign"
toms, identity, by megaRemarks such as “Toms is an easy company to deal with” and “Can you make a logo that looks the way chocolate tastes?” are what inspired our design of the new Toms logo. The name ‘Toms’ derives from the names of the company’s founders, Hans Trojel and V. H. Meyer. The company was originally called just ‘Tom’, but the ‘s’ was added to the name because the word ‘Tom’ – which means ‘empty’ in Danish – did not look good on Danish sweets dispensers…
This system is meant to inspire the act of sending physical messages and to reignite the excitement of receiving them. The mix of papers and textures adds to the tactile thrill of holding a physical correspondence.
This is a corporate identity for the Currus Wine Cellar which is located in the village of Kocs (Hungary).
The different versions of wine labels have been designed according to the prestige of the wine bottles. The engraved version has been designed for an exclusive series. The Currus Wine Cellar’s own logo is a simplified picture of a contemporary wagon as a constellation.
MOME project Designers: Alberto Vasquez and Peter Toronyi Design consultants: Attila Cosovan and Vladimir Monostori
For the identity, we [ smel ] made a selection of five different texts. The texts range from a signed text by Bono (U2), to a piece of an e-mail from Tom Waits. All texts are related to the work or the people working at Smel. The quotes intrigue and trigger curiosity to the story behind them. The asterisk on the back of some parts of the stationery gives a reference and a brief explanation.
Comments
*snort*
i thin i'd like to get a hand press embosser thingy...
Five years on from their rebranding work for the channel, Rudd Studio updates the Channel 4 splintering logo in a series of new on-air graphics packages...
Keeping the famous logo centre stage – the original multi-barred "4" was the creation of Martin Lambie-Nairn in 1982 – Rudd Studio has created a series of new animations of the graphic, with this new work attempting a more "oblique" and "cubist" feel, they say.
via: AisleOne
http://www.jamesprunean.com
art machine stationery
beautiful identity and business card for bonnie tsang by anna melcon bond.
corporate design by Deutsche & Japaner for iGNANT, a German design blog and creative studio.
to be fair, the letterheads and notepads turned out far better than the calendar, but i guess that's very much personal preference.
frank - loads of other bits and bobs, of course, but i really liked this image.
Croxton Design was commissioned to design business cards for A Hundred Monkeys, a naming and branding firm based in Mill Valley, California. The cards were letterpressed, die cut, perforated and crash numbered.”
Screenprint Productions redesign by the consult nice to see the S cut from the letterhead (though i wonder how well that stands up in use), and the CD rom case is great, as the CD itself fills the bold S cut from the slip.
the stampler
...though that's a very straight face for such a greeting - I guess this must be for overdue invoices?
Logo Menagerie – Gebrauchsgraphik 1956–1966. small collection of animal-themed Mid-Century Modern logo trademarks, circa 1950s and 1960s.
You Took My Name, from Dorothy crosspost'd
møller/holm
Early 20th Century Trademarks & Logos.
reminds me of a studio on fire (that expensive letterpress place in the us) recent print - i'll dig it out in a mo...
but i am too amused to not post it.
this will never be manufactured. way too many licensing issues. hehe
Adidas, Burger King, Coca Cola, Disney, eBay, Facebook, Google, HP, Intel, J&B, Kodak, Lacoste, McDonald's, Nike, O2, Pepsi, Quaker, Rolling Stone, Shell, Twitter, Unilever, Virgin, WordPress, Xerox, YouTube and Zippo.
concept and prototype by Ignacio Pilotto
from the consult - Upbeat branding for written communications firm.
little chef logo (and other stuff!) redesign
the national
When famed NYC restaurateur and Food Network star Geoffrey Zakarian wanted to launch a new dining establishment in Midtown Manhattan, he turned to Love and War to develop the brand – including the overall concept, visual identity, website, promotions, and a range of in-restaurant materials from menus to tableware.
Working closely with Geoffrey, Denihan Hospitality, and the Rockwell Group, Love and War created "The National” – an all-occasion “grand café” inspired by London cafés and French bistros, but with a unique, New York City twist.
Awards:
2011 James Beard Foundation Awards: "Outstanding Restaurant Graphics"
2011 Art Directors Club Awards: "Silver Cube for Brand Campaign"
This system is meant to inspire the act of sending physical messages and to reignite the excitement of receiving them. The mix of papers and textures adds to the tactile thrill of holding a physical correspondence.
current tv, al gore, etc.
i fucking love this, yo!
This is a corporate identity for the Currus Wine Cellar which is located in the village of Kocs (Hungary).
The different versions of wine labels have been designed according to the prestige of the wine bottles. The engraved version has been designed for an exclusive series. The Currus Wine Cellar’s own logo is a simplified picture of a contemporary wagon as a constellation.
MOME project
Designers: Alberto Vasquez and Peter Toronyi
Design consultants: Attila Cosovan and Vladimir Monostori
this is some pretty cool shit, but i really don't get what it is they do, and the site is awful
ok, i think they sell belts and candles and shampoo, charge a lot for it, and their customers are hipsters.
(lulz!)
(lulz!)